Emanuele Sari Italian, b. 1976
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Emanuele SariDerek - Zoolander, 2025Venetian enamels, 24k gold leaf, self-levelling screed140 x 60 cm
55.12 x 23.62 in
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Emanuele SariHansel - Zoolander, 2025Venetian enamels, 24k gold leaf, self-levelling screed140 x 60 cm
55.12 x 23.62 in
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Emanuele SariThe Saints go marchin in, 2025Glass, Venetian enamels, self-levelling compound. Technique: contemporary mosaic, direct method on wooden support89 x 68 cm
35.04 x 26.77 in -
Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels, 24k gold leaf33 x 24 cm
12.99 x 9.45 in
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Emanuele SariDavid Bowie, 2024Venetian enamels, 24k gold leaf, self-levelling screed52 x 52 cm
20.47 x 20.47 in
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Emanuele SariFreddy Mercury, 2024Venetian enamels, 24k gold leaf, self-levelling screed67 x 67 cm
26.38 x 26.38 in
Born in Venice in 1976.
Sari's favourite expressive medium for more than 15 years is contemporary mosaic, which he creates with glass, marble, resins, stones and various materials, using a technique defined as ‘direct’, which consists of directly gluing the tesserae onto the support, so that the final result is made more ‘alive’ by the reflection of light. To realise his works, he almost exclusively uses glass produced in Venice: Venetian enamels and gold leaf from the historic Orsoni furnace, murrine produced by Effetre in Murano and a few special pieces for nuances from Morassutti Mosaici in Spilimbergo. Over time, instead of using the ready-made tiles on the market, the artist began to model the components himself, giving his figures a new vibrancy.