Emanuele Sari Italian, b. 1976
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Emanuele SariErmines are better than unicorns, 2025Affresco on canvas, Glass, Venetian enamels, marble and stone80 x 100 cm. with frame
31.5 x 39 39.37 in. with frame -
Emanuele SariFrida, 2025Glass, Venetian enamels, marble and stone135 x 90 cm
53.15 x 35.43 in -
Emanuele SariSadhu, 2025Glass, Venetian enamels and stone135 x 90 cm
53.15 x 35.43 in -
Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels33 x 24 cm
12.99 x 9.45 in
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Emanuele SariWacky Races - the Ant Hill Mob, 2025Venetian enamels33 x 24 cm
12.99 x 9.45 in
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Emanuele SariDavid Bowie, 2024Venetian enamels, 24k gold leaf, self-levelling screed52 x 52 cm
20.47 x 20.47 in
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Emanuele SariJoker Haha, 2024Venetian enamels, 24k gold leaf, self-levelling screed92 x 62 cm.
36.22 x 24 41 in. -
Emanuele SariDavid Bowie in the sky, 2023Glass, Venetian enamels, self-leveling compound, compact discs, and vinyl records. Technique: contemporary mosaic, direct method, on wooden support.150 x 100 cm.
59.06 x 39.37 in. -
Emanuele SariFeel the groove, 2023Venetian enamels, marble and stone116 x 140 cm. with frame
45.67 x 55.12 in. with frame
Born in Venice in 1976.
Sari's favourite expressive medium for more than 15 years is contemporary mosaic, which he creates with glass, marble, resins, stones and various materials, using a technique defined as ‘direct’, which consists of directly gluing the tesserae onto the support, so that the final result is made more ‘alive’ by the reflection of light. To realise his works, he almost exclusively uses glass produced in Venice: Venetian enamels and gold leaf from the historic Orsoni furnace, murrine produced by Effetre in Murano and a few special pieces for nuances from Morassutti Mosaici in Spilimbergo. Over time, instead of using the ready-made tiles on the market, the artist began to model the components himself, giving his figures a new vibrancy.
In 2025, his activity has been particularly intense and meaningful. Revisiting a section of Il Glande Flagello, he created ‘The Penultimate Supper’, one of the largest and most astonishing satirical works in the world—where satire is elevated to art. He then created a black-and-white portrait of Maradona, later installed in Largo Maradona in Naples, just beneath the imposing mural dedicated to the football legend. In the same year, he paid tribute to Venetian popular culture with a mosaic placed along the Restera in Treviso, depicting Einstein trying to figure out “What 15 + 18 equals”.
In May, Cris Contini Contemporary presented the solo exhibition Storytelling at its gallery in Notting Hill, London, as part of the official programme of London Craft Week 2025. For the occasion, a successful creative workshop was organised where the public could create their own personalised mosaics with the help of the artist.
Finally, on December 4, his first solo museum exhibition organized by Cris Contini Contemporary will open at Casa Robegan in Treviso, Italy.
