Jens Hesse German, b. 1973

Works
  • Jens Hesse, Elton John at the piano, 2025
    Jens Hesse
    Elton John at the piano, 2025
    Oil and shiny varnish on corduroy
    115 x 85 cm
    45.28 x 33.46 in
  • Jens Hesse, Mirror Selfie 03, 2025
    Jens Hesse
    Mirror Selfie 03, 2025
    Oil & gesso on corduroy
    120 x 80 cm
    47.24 x 31.5 in
  • Jens Hesse, Modern dance, motion study from Marie-Louise Hertog No1, 2025
    Jens Hesse
    Modern dance, motion study from Marie-Louise Hertog No1, 2025
    Oil & gesso on corduroy
    95 x 65 cm
    37.4 x 25.59 in
  • Jens Hesse, Modern dance, motion study from Marie-Louise Hertog No2, 2025
    Jens Hesse
    Modern dance, motion study from Marie-Louise Hertog No2, 2025
    Oil & gesso on corduroy
    95 x 65 cm
    37.4 x 25.59 in
  • Jens Hesse, Modern dance, motion study from Marie-Louise Hertog No3, 2025
    Jens Hesse
    Modern dance, motion study from Marie-Louise Hertog No3, 2025
    Oil & gesso on corduroy
    95 x 65 cm
    37.4 x 25.59 in
  • Jens Hesse, Red poppies, 2025
    Jens Hesse
    Red poppies, 2025
    Oil & gesso on corduroy
    83 x 77 cm
    32.68 x 30.31 in
  • Jens Hesse, Taylor Swift at the piano, 2025
    Jens Hesse
    Taylor Swift at the piano, 2025
    Oil and shiny varnish on furnishing fabric
    105 x 180 cm
    41.34 x 70.87 in
  • Jens Hesse, Thinking in Blue Jeans, 2025
    Jens Hesse
    Thinking in Blue Jeans, 2025
    Oil and gesso on bouclé
    110 x 73 cm
  • Jens Hesse, Woman in green dress, 2025
    Jens Hesse
    Woman in green dress, 2025
    Oil & gesso on corduroy
    180 x 100 cm
    70.87 x 39.37 in
  • Jens Hesse, Woman in white T-shirt, 2025
    Jens Hesse
    Woman in white T-shirt, 2025
    Oil & gesso on corduroy
    115 x 70 cm
    45.28 x 27.56 in
  • Jens Hesse, Mirror selfie 01, 2024
    Jens Hesse
    Mirror selfie 01, 2024
    Oil & gesso on corduroy
    120 x 80 cm
    47.24 x 31.5 in
  • Jens Hesse, Motion in pink, short jogging suit, 2024
    Jens Hesse
    Motion in pink, short jogging suit, 2024
    Oil & gesso on corduroy
    135 x 115 cm
    53.15 x 45.28 in
  • Jens Hesse, Mirror selfie 02, 2023
    Jens Hesse
    Mirror selfie 02, 2023
    Oil & gesso on corduroy
    140 x 80 cm
    55.12 x 31.5 in
  • Jens Hesse, Motion study in blue dress, 2023
    Jens Hesse
    Motion study in blue dress, 2023
    Oil and gesso on bouclé
    140 x 95 cm
    55.12 x 37.4 in
  • Jens Hesse, Passion 01 - inspired by Dries van Noten fashion show, 2023
    Jens Hesse
    Passion 01 - inspired by Dries van Noten fashion show, 2023
    Oil, shiny laque and gesso on corduroy
    65 x 100 cm
    25.59 x 39.37 in
Overview
Biography

Born 1973 in Heessen, Germany. Lives and works in Antwerp.

After studying Fashion Design at Hanover University for art, design & media, since 2001 Hesse has worked as a stylist for various brands such as ESPRIT, WRANGLER and C&A, with particular attention to denim products, and since 2009 as an artist.

He paints malfunctions and side-effects from the media world with a photorealistic approach, often using corduroy and other structures to translate the digital character into paintings. His work is an eerily familiar reflection of our real-life experience, in our media saturated world; the artist wants to reveal the fakeness of this world, only existing behind a screen, full of clutter and noise and easy to manipulate. By painting these malfunctions, Hesse wants to create an area of conflict between the digital world and the traditional medium of painting.

Many of his work are influenced by digital distorted satellite signals, which involves a mix of abstract and realistic elements. While it is quite disturbing to have malfunctions when watching TV, as a still image it intensifies a visual experiment and reinforces emotional expressions. The beauty of abstraction, shapes and colours that we see on defective TV are thus translated into painting.

Hesse’s work raises questions not just about digital art but also about the digital world in itself. The combination of old and new, the contradiction of subject and message, and most of all the demonstration that our digital world can question its own foundations. His version of digital art is not shaped by the potentialities of what can be achieved with the latest technology but by how that technology is affecting those who view his work.

Exhibitions
Events